AMERICAN NEWS MAGAZINE

Sites the Cladistics as a reference for those who desire to publish.

Cladistics publishes high quality research papers on systematics, encouraging debate on all aspects of the field, from philosophy, theory and methodology to empirical studies and applications in biogeography, coevolution, conservation biology, ontogeny, genomics and paleontology. Cladistics is read by scientists working in the research fields of evolution, systematics and integrative biology and enjoys a consistently high position in the ISI® rankings for evolutionary biology.

Theresa Morris ACIR Published on behalf of the Ace Folklife Society
American News Magazine also known as http://www.AmericanNewsMagazine.com

Editor-In-Chief: Theresa J Thurmond Morris Frequency:
Monthly with others who we frequent and recognize as
Bi-monthly
Current Volume: 25 / 2009  ISI Journal Citation Reports® Ranking: 2008: 12/39 Evolutionary Biology  Impact Factor: 3.515 Top Author Guidelines The Willi Hennig Society publishes Cladistics, The International Journal of the Willi Hennig Society.

Cladistics publishes both conceptual and empirical papers on systematics, including applications of cladistics to other fields, and encourages debate and other useful dialogue about systematic methods. It has wide scope and publishes papers in zoology, botany, microbiology, morphology, genomics, paleontology, ontogeny, biogeography, ecology, and systematic philosophy.

We are associated for publishing purposes through our Ace Folklife Society by promoting the publishing efforts of our peers such as;
Manuscripts of scientific nature for our professionals through;
Manuscripts should be submitted through ScholarOne Manuscripts®

http://mc.manuscriptcentral.com/cla.

Manuscripts are considered on the understanding that their contents have not appeared or will not appear elsewhere in substantially the same or abbreviated form.

Types of Papers Published in Cladistics Five types of paper are published in the journal Cladistics:

Review articles,
Regular articles,
Forum papers,
Letters to the editor,
And
Book reviews.

Review Articles:

Review articles should provide a general overview of a topic important to systematics; the literature coverage need not be exhaustive, but should be sufficient to be instructive to a new audience.

Regular Articles:

Regular Articles generally report original research in the field of systematics. This research may concern general philosophy and methodology, empirical studies of a particular taxonomic group, or applications of cladistics to diverse problems ranging from biogeography to conservation biology or linguistics.

Forum Papers:

Forum papers usually have as their focus a consideration of work already published in Cladistics or in other journals. These papers may be critiques, responses to critiques, clarifications, or the drawing of broader implications from some other previously published work.

Authors are encouraged to be concise and direct in their Forum papers as these usually comprise fewer pages than Regular articles.

Letters to the Editor:

Letters to the editor are much shorter notes concerning an issue of general importance to the field and are intended to have a shorter turn-around.

Book Reviews:

Book reviews are usually solicited by the Book Review Editor. Submission of Manuscripts (updated December, 2004) Manuscripts should be submitted through ScholarOne Manuscripts®

http://mc.manuscriptcentral.com/cla.

Ideally, the submitted manuscript should consist of a single file including text, tables, and figures. This file should be an MS-Word file with the figures embedded, which will allow the reviewers to make editorial remarks directly on the manuscript.

If there are no figures, the file may be RTF.

Embedded images should be at a sufficient resolution for printing and review but not at such a high resolution as to make the file unmanageably large.

Please try to keep submitted files below 3 Mb. Final images for accepted manuscripts at a higher resolution than those that are submitted for review are encouraged, and may be provided on disk at time of acceptance (see Item 7 below for details).

Authors are requested to pay attention to the instructions listed below concerning the preparation of the manuscript.

Manuscripts deviating significantly from the required format will be returned for revision. The Society does not limit the length of manuscripts, but authors are requested not to exceed the length of an individual issue of the journal (about 100 printed pages).

If there are any doubts as to suitability, authors wishing to submit long manuscripts should contact the Editor before considering submission. Papers must be submitted exclusively to Cladistics and are accepted on the understanding that no substantial part has been, or will be, published elsewhere.

If accepted, papers become copyright of the Ace Folklife Society. No page charges will be levied. Online: Ace Folklife accepts submission of manuscripts online at http://www.theresamorrisACIR@gmail.com.

This enables the quickest possible review and allows online manuscript tracking. Manuscript submission online can be in Word document (.doc) or Rich Text Format (.rtf). Each of these file formats will be automatically converted to PDF for reviewing. Figures can be embedded in the native word processor file or may be uploaded separately in one of the following formats: GIF (.gif), JPEG (.jpg), TIFF (.tif), EPS (.eps).

Figures uploaded separately in these file formats will be automatically converted to small jpegs for reviewing. Other file formats may be uploaded, but these will not be converted to an easily opened format and Editors and Referees will require the necessary software to view these files.

Full upload instructions and support are available online from the submission site via the ‘Get Help Now’ button. You can also email for online submission support. Please note that you should submit your covering letter or comments to the Editor-in-Chief, when prompted online. Please do not duplicate your submission by submitting online and by post. All queries should be directed to the Editorial Office

NEW: Online production tracking is now available for your article through Blackwell’s Author Services.

Author Services enables authors to track their article – once it has been accepted – through the production process to publication online and in print.

Authors can check the status of their articles online and choose to receive automated e-mails at key stages of production so they don’t need to contact the production editor to check on progress.

Visit http://authorservices.wiley.com/bauthor/

for more details on online production tracking and for a wealth of resources including FAQs and tips on article preparation, submission and more.

Formatting of Manuscripts If submitting electronically (preferred), send the manuscript, formatted as specified below, as an attachment to an e-mail message to the Editor or an Associate Editor.

In the e-mail message state what word processing program was used to create the document and format of illustration files (e.g., TIFF, JPEG, etc.).

If submitting by regular mail, one original and three copies of each manuscript, including all figures and tables, should be submitted. The manuscript should be complete, with tables, figure captions, and figures and should be double-spaced and printed on one side of the paper only.

All figures and photographs should be submitted as either laser copies or high-quality glossy prints as appropriate. A disk (floppy or CD-ROM) of the final version of the manuscript must be provided in addition to hard copies, as accepted manuscripts will be published from disk (do not send disks as submission of manuscripts for review). Final versions of the hard copy and the floppy disk must be the same.

It is essential that the disk contain any last-minute changes. File name(s) should be given with the disk, with separate file names for: text, references, tables, figure captions. Be consistent: use the same presentation for all headings, etc. that are to appear the same in the finished printing.

Special characters:

We will need to know if you have used a keyboard character to represent a character that is not on your keyboard, e.g. Greek letters. Tables may not be set from disk, and it is essential that an adequate hard copy be supplied. The disk and hard copies of the final (revised) version of the manuscript must be accompanied by the completed Copyright Assignment Form, which will be forwarded by the Editor-in-Chief or is available on the Theresa Morris web page.

Until these forms are received the manuscript cannot be put into production. Assignment of copyright entitles the corresponding author to a free PDF of their article. Please note that authors should always retain a copy of all material. Papers should be submitted in English and should be as concise as possible, compatible with clarity and completeness.

All unusual or hand written symbols should be identified. Care should be taken to differentiate between certain letters and numbers (e.g. the letter O and zero, the lower case letter l and the number 1).

With multiple authors, one author must accept responsibility for all correspondence (the ‘corresponding author’). Papers should conform to the following layout:

(1) Title page. This should include title, authors, institutions, and a short running title. The title should be concise but informative and, where appropriate, should include mention of a higher taxon. A subtitle may be included, but papers in numbered series are not accepted. Names of new taxa should not be included in titles.

(2) Abstract. All Review articles, Regular articles or Forum papers must have an abstract. The abstract must be submitted on a separate page. The abstract is of great importance as it may be produced elsewhere, and is all that many see of the published work. It should be 100-200 words long for Regular articles and may be shorter for Forum papers. It should be in the form that is intelligible if published alone in conjunction with the title. It should not include references.

(3) Table of contents. A list of first, second and third order headings should be provided on a separate sheet. This is not published but is used to assist publication.

(4) Subject matter. The paper should be divided into sections under short headings. Except for systematic hierarchies, the hierarchy of headings should not exceed three. The relevant Codes of Nomenclature must be strictly followed. Use SI units and the appropriate symbols (e.g. mm, not millimetre; µm, not micron; Myr for million years).

Avoid elaborate data matrices, species lists and character lists within the text but include them as Appendices. Keep footnotes and cross references to a minimum. Abbreviations of non-standard terms should follow, in parentheses, their first full usage.. .
Appendices:

TJMORRIS ACIR requests the deposition of data matrices and other material electronically for publication on the Ace Folklife Society Journal web site.

Please submit these data as e-mail attachments to:

TJMorrisACIR@gmail.com

After receiving the tracking number for your manuscript from the Editor by date Year, Month, Day, Author, Title, and assigned Number;

These data will be made available to the referees but not to the community at large until such time as the paper is accepted. If the paper is not found to be acceptable for publication, the data and associated files will be removed from the directory structure and destroyed.

Referees are reminded of their responsibilities to keep all such data confidential and that failure to do so constitutes a serious violation of trust and scientific propriety.

Morphological data Character descriptions, character argumentation and material examined must be submitted for deposition on the web site as plain text, HTML or PDF formats. Images for character and state descriptions, images must be submitted as JPEG/JPG or GIF format at 72 dpi and with dimensions no greater than 6′ x 6′ (and preferably smaller).

They must be clearly named and numbered (e.g., MES001.JPG) and an associated figure legend must be included in the email to the Associate Editor Mark Siddall that has these files as attachments. Taxon by character data matrices may be submitted as text files only and in any of the following formats: plain text (do not tab delimit; include names of characters and states after the matrix); WinClada (which is the same as Hennig86 or Nona/Piwe but includes character and state information); fully annotated Nexus including character and state information. Molecular data Matrices DNA or RNA data may be submitted as: a plain text alignment (do not tab-delimit);

WinClada/Hennig86 format which presumes 0/1/2/3(/4) are A/C/G/T(/-) respectively; Nona dread format; Xac format; Nexus format. Scientific Names Use scientific names as defined by the relevant organisation for each organism, e.g. plant viruses, latest ICTV nomenclature. Full scientific names must be given when organisms are first mentioned, with the generic name being subsequently abbreviated to the initial.

All gene names and loci should be in italic; proteins should be upright. Optional Supplementary Documentation If there are additional figures beyond those to be included in the printed portion of the paper that add to the scope and depth of understanding issues or data in the submission, they may also be submitted in accordance with the guidelines above.

Executable binary applications may be submitted if they are to be made freely available to the community. (5) References. Authors should use the system illustrated below. Only full articles which have been published or are in press may be included in the reference list. In the text, unpublished or submitted studies should be referred to as such (e.g. J.M. Smith, unpublished), or as a personal communication. It is the authors responsibility to obtain permission from colleagues to include their work as a personal communication. References should be cited in the text by author and date, e.g. Hennig (1966).

JOINT AUTHORS:

Joint authors should be referred to by et al. if there are more than two, e.g. Farris et al. (1970). More than one paper from the same author(s) in the same year must be identified by the letters a, b, c, etc., placed after the year of publication. Listings of references in the text should be chronological, e.g. (Hennig, 1966; Farris et al., 1970). At the end of the paper, references should be listed alphabetically according to the first named author. The full titles of papers, chapters and books should be given, the abbreviated names of journals, with the first and last page numbers. Citations in the text should read thus: (Nelson and Platnick, 1981; Nixon, 1999)…, Farris (1983) …, Brundin (1966) said …, Hennig (1966, p. 31) …. Note that names of joint authors are connected by ‘and’ in both text and literature cited. The References section should follow these guidelines.

FOR JOURNAL ARTICLES:

For a journal article: Kluge, A. G., Farris, J. S. 1969. Quantitative phyletics and the evolution of anurans. Syst. Zool. 18, 1-32. For a chapter in a book or volume: Farris, J. S. 1981. Distance data in phylogenetic analysis. In: Funk, V.A., Brooks, D.R., (Eds.), Advances in Cladistics I. NY Botanical Garden, New York, pp. 3-23. For a book in its entirety: Edwards, A.W.F. 1972. Likelihood. Cambridge University Press, Cambridge, UK. The reference need not be cited when author and date are given only as the authority for a taxonomic name.

REFERNCES:

References should be listed alphabetically with journal titles abbreviated according to the World List of Scientific Periodicals and its supplements. For books, give the title, name of publisher, place of publication, page numbers and indication of edition if not the first. Give foreign language references in ordinary English alphabetic form but copy accents in French, German, Spanish, etc. For the Cyrillic alphabet use British Standard 2979 (1958).

If only a published translation has been consulted, cite the translation, not the original. (6) Tables. Keep Tables as simple as possible and avoid vertical rules. Type legends to Tables in numerical order on a separate sheet. (7) Illustrations. These may either be computer-assisted drawings, output from programs, ink drawings or half-tone illustrations from black and white photographs. Use one consecutive set of Arabic numbers for all figures (do not separate ‘Plates’ from ‘Text figures’ but treat all as ‘Figures’). Electronic files with line-art (including cladograms) should be submitted as vector art (e.g., Illustrator, EPS, or PDF). If these are provided in pixilated form they must be at least 300 dpi, anti-aliased text and lines, and RGB (not CMYK, not indexed color) and as a JPEG or TIFF file. Grayscale or color art should be at least at least 300 dpi, and RGB (not CMYK, not indexed color) and as a JPEG or TIFF file.

Full details of submission of manuscripts and artwork on disk are available at TJMorrisACIR@gmail.com

Lines must be clean and heavy enough to stand reduction; drawings should be no more than twice the journal page size. Explanations should, as far as possible, be placed in the legend; the drawing itself should contain a minimum of lettering. Photographs are best submitted in their final size and a scale line should be included to indicate magnification. Type legends for figures in numerical order on a separate sheet.

Authors wishing to reproduce figures from other published works must themselves obtain permission and before the paper is submitted for consideration. If authors wish their artwork to be returned after publication this must be clearly stated on each figure; artwork is otherwise not returned after publication. It is the policy of TJMORRIS ACIR for authors to pay the full cost for the reproduction of their color artwork.

Therefore, please note that if there is color artwork in your manuscript when it is accepted for publication, Blackwell Publishing require you to complete and return a color work agreement form before your paper can be published. This form can be downloaded as a PDF* from the internet. The web address for the form is:

http://www.theresamorris.com

If you are unable to access the internet, or are unable to download the form, please contact The Editorial office at: TJMorrisACIR@gmail.com And they will be able to email or FAX a form to you.
Once completed, please return the form to the Production Editor at the address below: Theresa MorrisACIR@gmail.com

Any article received by Wiley-Blackwell with color work will not be published until the form has been returned. * To read PDF files, you must have Acrobat Reader installed on your computer. If you do not have this program, this is available as a free download from the following web address:http://www.adobe.com/products/acrobat/readstep2.html

(8) Proofs.
Revised manuscripts must be submitted in the final, fully corrected form.

Make certain that all references in the text agree with those in ‘REFERENCES’, that spelling is consistent throughout, and that all figures and other details have been double-checked. Page-proofs only are supplied, by electronic mail as a PDF file, and authors may be charged for alterations if they are numerous. In the case of multiple authors, proofs are normally only supplied to the one author responsible for correspondence.

Authors should normally mark up corrections on a hard copy of the proofs using the guidelines provided therewith, and return this by regular mail to the Production Editor at Blackwell. If corrections are minimal, the author may supply a list via e-mail to the Production Editor, copied to the Managing Editor.

(9) Copyright and Reprints.

Authors submitting a manuscript do so on the understanding that, if it is accepted for publication, copyright of the article, including the right to reproduce the article in all forms and media, shall be assigned to the Ace Folklife Society.

In consideration for the assignment of copyright, the Publisher will supply PDF offprints of each paper. The copyright release form is available from the Editor-in-Chief, or may be downloaded from here:

Copyright Assignment Form. Offprints may be ordered at extra cost at the proof stage.

Authors wishing to reproduce their work in a medium not managed by
TJ Morris and Friends as the Ace Folklife Society
or receiving requests from others for permission to reproduce work published may request from other associations such as in Cladistics, should contact the Publisher for advice.

(10) Cover Photographs

Photographs of high quality suitable for the cover of Cladistics are welcomed. It is preferred, but not essential, that these should be related to submitted papers. Initially, low-resolution images should be sent to the Managing Editor, accompanied by a brief description, which will be reproduced on the inside front cover of the journal. If selected as cover art, then high-resolution versions of the images (preferably TIFF format) should be submitted to the Managing Editor, either via electronic mail (up to 12Mb) or on CD-ROM. A high quality colour print of each image should also be sent for colour matching purposes. These items will not normally be returned. If the copyright owner of the images is also an author of an accepted manuscript, then the Copyright Assignment Form completed for the manuscript will also cover the images.

If copyright of the images is held by a third party, then it is the authors’ responsibility to ensure that said third party completes a separate Copyright Assignment Form for the images and submit it at the same time as the high quality images.

World Wide Web Site Additional material (such as multimedia adjuncts, large date sets, extra color illustrations, bibliographies, or any other material for which insufficient space in American News Magazine is available) may be published via the Journals World Wide Web site online production tracking is now available for your article through Blackwell’s Author Services Author Services enables authors to track their article – once it has been accepted – through the production process to publication online and in print.

Authors can check the status of their articles online and choose to receive automated e-mails at key stages of production. The author will receive an e-mail with a unique link that enables them to register and have their article automatically added to the system. Please ensure that a complete e-mail address is provided when submitting the manuscript. Visit the Author Services webpage for more details on online production tracking and for a wealth of resources including FAQs and tips on article preparation, submission and more.

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Tj’s as TJMorris ACIR Systems Maintenance, Monday, 21st of September 2009   To search across all articles, chapters or protocols – select All Content. If you are looking for a specific publication (e.g., journal, book, database), select the Publication Title option. ?All Content?Publication Titles Enter words or phrases ?  Advanced Search CrossRef / Google Search Acronym Finder All Content Publication Titles Enter words or phrases Advanced Search CrossRef / Google Search Acronym Finder
Cost: $30 (donation to the AFS Archives and Libraries Section)

SCIENCE FAR FUTURE EXHIBITS – EUREKA – GEEK SQUAD -
Must have a DISPLAY of a Entrepreneurial Spirit to Display

This workshop functions as a general introduction to current and next-generation digital field recording options for practicing folklorists.  It will include an examination of a wide variety of digital formats and a discussion about the advantages and disadvantages of each.  We will discuss in great detail the computer’s role in interfacing with digital field recording equipment, examine a variety of hardware and software options, discuss budgetary needs for relevant equipment, and emphasize the formulation and implementation of a future technology plan for ethnographic digital audio research collections.  Workshop participants are encouraged to bring their own recording equipment for discussion.

Cost: $30 ADVENTURECON (tickets to the AdventureCon – Comicon Section)
FANS OF ALL TYPES COME – COSTUME CONTEST – PHOTO & VIDEO OPS
COMICON ATMOSPHERE – PANELS

This is a Convention function as a general introduction to current and next-generation Comic Books, Collectibles, and a sharing of Fans and Celebrities. There will be books, booths, products, and various levels and roles of people interfacing with each other.

Cost $30 PARACON (Paranormal – Seminars – Classes – Workshops)
A DOCUMENTARY FILM ATMOSPHERE – SPEAKERS

This is the discussions, power point presentations on the discussions being held in and around other groups, clubs, and interests groups in the paranormal. There are members of ACE FOLKLIFE CLUB who will desire to share their particular passions and why they prefer to spend their lives devoting much of their time to their particular quest. These will have to do with the MYSTERIES and PHENOMENA. CULTURE

Cost $3o ACE BODY-MIND-SPIRIT – EARTH FRIENDS OF TJ MORRIS

This is the area where the Earth Friendly products and services will be displayed and demonstrators are sharing their passions on why they are involved with their products and services.

Booths are available for 10 X 10 $100.00 for both Sat. & Sun.

HELLO WORLD

ACE JOURNAL

ET SCIENCE OF INTELLIGENCE
AREAS OF APPLICATION

Taxonomy- Areas of Application

Taxonomy is the classification of living and extinct organisms.

ET Science of Intelligence is compared to the Science of Religion and the Science of the Meta-universes

Brain science will now encompass where the energy of the spirit and soul is harnessed throughout our body to make the body-mind-spirit vessel or vehicle of the extraterrestrials visiting earth in the human form.

2012 will usher in the new dawning of our time on earth as a new page in history is turned—ranging from the neuropsychology of religion, to the use of “belief-detection” as a surrogate for “lie-detection,” to understanding how the practice of science itself, and truth-claims generally, emerge from the biology of the human brain.

Our Mission if YOU decide to accept it will be to become an analyst of objectivity during the anthropological studies of the intelligent being species while conducting your own separate sustenance and maintaining your own vehicle and tools required to remain on earth while exploration of the entire living intelligent beings species as it interacts with all living and extinct organisms on the planet called earth in this solar system in the Milky Way galaxy.

JOIN US AND VISIT US OFTEN. LOOK AROUND. SHARE OUR NEWS WITH YOUR FRIENDS.

IT’s ALL GOOD! WE CAN HOPE!
ASCENSION CENTER EARTH

ASCENSION CULTURAL EDUCATION
Ascension Cultural Intergovernmental Relations (ACIR)
SOCIAL PARANORMAL NETWORK INVOLVEMENT: 15 YEARS COMMITMENT TO THE GREATER GOOD
2010-2025 – Change for the Greater Good of all Humankind on Earth.

Doing our part with guidance and impressions taught in automatic writing, channeling, scrying of the Ancient Ascended Masters. Avatar Training is sharing in awareness for the greater good that has always been… We are those that spread hope and faith in the future so imaginations can create the future. Theresa J. Thurmond Morris, Founder Ascension Center Enlightenment on Earth. January 21, 2010

ASCENSION AWARENESS
For those who truly desire to make a difference on earth.

SEEKERS OF SCIENCE & TRUTH
SHARERS, LIGHTWORKERS, GUIDES, TEACHERS, AUTHORS, SPEAKERS

We share in our interests to create areas that we feel others desire to seek truth about the ominous, the mysterious, the powers, and the force.

We are they who share the light force and the energy in all things created and with all creators on earth.

EVENT – PRODUCTS & SERVICES

Alien Contact

Alien Technology
Alientology
Amen Unity
Amnesty-Human Rights
Ancient Cultures
SCIENCE OF RELIGIONS
Religions and Paths to Salvation
Annunaki
Atlantis
Lemuria
Sumeria
Mesopotamia
Apocalypse
Armageddon

ASTROLOGY
Charts

ASTRONOMY
Pole Shifts
Near Earth Objects
Planet Nibiru

ANTHROPOLOGY
FOLKLORE
Folklife
Forensics
ARCHEAOLOGY

Ascension DNA Code Activation
Ascension Consciousness Awakening
Ascension Body -Mind-Spirit Activism

AUTHORS/Web Publishers

William Birnes
George Filer
Stanton T. Friedman
Dirk Vander Ploeg
TJ Thurmond Morris

AVATARS
Reincarnation
Light workers
Star Babies
Star People
Walk-Ins

BASES:
Area 51
Dulce Base
HAARP
All New Mexico Bases
Roswell
Mars
Pine Gap
Military
Moon
NASA
Johnson Manned Spacecraft Center
Cape Canaveral
AIM
SETI
Arecibo

SOCIAL ENTREPRENEUR TOOLS

COMPUTER SAVVY
Internet Use
Applications
Building a Website
Starting a Business
Social Networks

CRYPTOZOOLOGY
BIG FOOT, YETI, ABOBMINABLE SNOWMAN
LOC NESS MONSTER
VAMPIRES
Ancient & Present

DIVINATION
Ghost Hunters
Premonitions
Psychic Mediums
Seers
Nostradamus
Spirit Guides
Telepathy

ET Disclosure Project
Exopolitics
Disclosure
Government Cover Ups
Conspiracy Theories

EXTRATERRESTRIALS
Extraterrestrial Education
Extraterrestrial Intelligent Beings
Extra biological Beings (EBENS)

FUTURE DISCOVERIES

Science
Technology
Futurists Theories

GUIDES
Body-Mind-Spirit
New Age Culture
Meditations
Hypnotism
Yoga
Joytish
Reiki

Hollow Earth Society
Mayan Calendar
UFOlogy
USOs

METAPHYSICS
Hollow Earth

GLOBAL COMMUNITY CULTURES

New World Order
Ascension Channels
Shroud of Turin

SCIENCE OF RELIGIONS

1. ASPECTS & PROBLEMS
Origin of Religions
2. EXTINCT RELIGIONS
INSIDE EUROPE & OUTSIDE OF EUROPE
Thinking of primitive people
3. EGYPTIAN RELIGION
History, Gods, Pharaohs, Priests, Monuments
I deas of Death & Last Judgment
4. RELIGIONS OF BIBLICAL REVELATION
CHRISTIANITY
Creed, Jesus, Dogma, Catholicism, Reformation, Present
JUDAISM
Jewish Creed, Ethics, Talmud, Mysticism
ISLAM
History, Origin, Mohammedan Mysticism,

DEITY WORSHIP

Basic Modes between humankind & Deities
Offering-Prayers-Rituals
Animistic
Preanimistic Theory
Theory of Original Monotheism
Magic & Religion
Celts & Slavs
Greeks
Romans
Tibet
China
Japan
Japanese Buddhism
Shintoism

Shamanism
Totemism
Extinct Religions
Teutonic Gods
Ideas of Death
Magic of Runes

Biblical Revelations
Buddhism
All isms
Hindi
Christian
Various
Jew
Messianic
Muslim
Various

THEOLOGY

SPIRITUALITY & PHILOSOPHY
Seers
Nostradamus
Star gates
Time Travel
UFOs
Zechariah Sitchen

UFO ORGANIZATIONS
MUFON
SETI
UFORNA

EVENT LINKS
MAGAZINE LINKS
TELEVISION LINKS
WEBSITE & BLOG LINKS

TOPICS AND CATEGORIES WITH ACE: 2010-2025

We must accept our global consciousness with knowledge of the truth about the global future. For some this will simply be an article of opinion. For others they will realize the truth and search for scientific proof before it is too late. Regardless of how my truth is read, it may appear to have no objections and no opposition. However, it will make a difference to those who are ready to know the truth and feel the change on earth. The truth will set us free.

Mind expansion is part of our life experience.

Here is what we can plan on building together in our Social Networks that are:
American News Magazine
Social Paranormal Network
Ascension Center Enlightenment
Astral Spiritual Education
Stellar Universal Space
Explorations Research
Social Entrepreneurs
Social Networks
Images-Photos
Categories:
Style & Culture
Religion
Opinion & Editorials
Education
Books
Philosophy & Spirituality
Writing-Publishing-Speaking
Art-Culture-Entertainment
Science-Discoveries
Technology-The Future
Issues:
Body-Mind-Spirit
Essence-Soul
Style & Culture
Religion
Opinion & Editorials
News Analysis
General
Food Education
Articles-Columns
Books-E-books
Arts & Entertainment
ALIEN SHIFT, ASCENSION, DNA TRANSFORMATION
Countdown December 21, 2012 11:11
By: Theresa J. Thurmond Morris
January 20, 2010

Ascension Center Education will share information regarding events for the coming years 2010-2020
AS THEY ARE SENT OR RESEARCHED

(Approval not expressed or denied – Public Notices)
EVENT PRESS RELEASES
———————————————————————————
BY DATES NOTIFIED:

Press Release – DEC 2nd, 2009
ALIENEVENT MARCH 20-21, 2010, Los Angeles, California, USA.

ALIENSHIFT PUBLIC DISCLOSURE

ALIEN EVENT SPEAKER:
Stewart Swerdlow
Montauk, Aliens, & Mind-Control.
Stewart reveals his personal experiences with the Montauk Project where he spent 13 years of his life. He explains the true nature of aliens and their presence on the Earth, government mind-control projects and genetic manipulation. His revelations about the future plans for the Earth will blow your mind-control apart. He will tell you what you can do to stay safe and well during these insane times. Stewart tells it like it is–an amazing man who survived the unsurvivable!

ALIENEVENT MARCH 20-21st 2010
Ground Crew Preparing for the 2012-2019 coming 7 years of Tribulations, WWIII, Armageddon, Nostradamus Prophecy, ET Disclosure Project, ET Studies, Alien Technology, HAARP, Montauk, Philadelphia Experiment, Moon Base, NASA MARS Exploration, MARS Base, Dulce Base, Pine Gap, Alien Contact, Exopolitics, Alientology, UFOLOGY, Pole Shift, Planet Nibiru, Sumerians, Annunaki, Star Gates, UFO, USO, Life on MARS, Spiritual UFOLOGY, Time Travel, Hollow Earth, Mayan Calendar, Telepathy, Ascension, Spiritual Activism, Over lapping of all Religions in unity of Man ADAM, Spiritual Awakening, Guided Meditation for transformation & Ascension, Activating DNA Codes, Amnesty & Human Rights & Shift in Human Consciousness.
Time: Saturday & Sunday march 20-21st, 2010 9:00 AM- 5:00 PM, Pre Registration Tickets: $75 per day Students:$50 door Tickets $99 per day.  Location: To be announced soon.
There is an extraterrestrial basis for the UFO phenomenon and the United States government committed itself to a cover-up or “truth embargo” in the late 1940’s after recovering a crashed extraterrestrial vehicle near Roswell, New Mexico.
Tens of thousands of UFO related flies have been released into the public domain by France, Canada, the United Kingdom, Denmark, Sweden, Brazil and other countries.
Why hasn’t the United States done the same?  What is the Administration’s response to Apollo 14 astronaut Dr. Edgar Mitchell’s call for the release of all UFO documents in government files and acknowledgement of the extraterrestrial presence?
Will President Obama support full and open Congressional hearings to take testimony from scores of current and former military and agency employees coming forward with direct testimony to events and evidence pointing toward an extraterrestrial presence engaging the human race?
Contact: Saeed David Farman, ALIENSHIFT Founder, New hope for humanity, http://www.alienshift.com
ALIENEVENT Phone: 1-310-355-0505  info@alienshift.com   http://www.Alienevent.com

TOPICS AND CATEGORIES WITH TJ MORRIS tm ACIR sm and ACE tm:

We must accept our global consciousness with knowledge of the truth about the global future. For some this will simply be an article of opinion. For others they will realize the truth and search for scientific proof before it is too late. Regardless of how my truth is read, it may appear to have no objections and no opposition. However, it will make a difference to those who are ready to know the truth and feel the change on earth. The truth will set us free.

“Mind expansion and imagination is the best part of our life experience.”
Theresa Janette Thurmond Morris

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History of Fan Expo Canada

The history of Fan Expo Canada begins in 1995 with the launch of the Canadian National Comic Book Expo which was not held in the spacious South Building at the Metro Toronto Convention Center, but at the impressive Roy Thompson Hall (where scenes of X-Men would later be filmed) that would accommodate the approximate 1,500 attendees. Back then, there were only five guests who included Bernie Wrightson and Bill Sienkiewicz.
With the continued success of the Expo, the venues changed to accommodate the growing number of fans, guests, celebrities, and exhibitors. These included the Holiday Inn on King in 1996 and eventually to the home of Fan Expo Canada; the Metro Toronto Convention Center in 1997. The initial years at the MTCC were held in the bright and appealing North Building, but the massive popularity of the Expo demanded more space and since 2006, is now held in the depths and vastness of the South Building.
Venues were not the only reflection of growth for Fan Expo Canada. In 1998 the Canadian National Anime Expo joined the Comic Book Expo to provide fans with a wider range of selection and in 1999, the Science Fiction Expo followed suit. Rue Morgue, who sponsors the “Festival of Fear” a.k.a Horror Expo joined in the crusade to stimulate the senses in 2004 and in 2005, the Gaming Expo brought Fan Expo Canada to its full circle, providing fans with “THE” expo to attend.
Our fans make the Expo what it is today and to reflect its scope, the five genres; Comic, Anime, Science Fiction, Horror and Gaming, were re-branded and merged to become Fan Expo Canada. Today, Fan Expo Canada is the country’s biggest, the fastest growing and one of the largest events of its kind in World!

Now entering it’s 15th year, the Expo showcases over 600 exhibits and sprawls to over 220,000 square feet. In 2008, Fan Expo Canada welcomed over 47,000 attendees.

The phenomenonal guest list – every year – boasts many celebrity guests who sign autographs, host presentations and conduct question and answer sessions with their loyal fans. Attendees travel from all over the world to attend this ultimate annual event.

Past comic book guests have included: Jim Lee, Brian Michael Bendis, Joe Quesada, Adam Kubert, Michael Turner, Frank Quitely, John Cassaday, Jhonen Vasquez, J. Michael Straczynski, John Romita Jr. and Sr., Olivier Coipel, Simone Bianchi, Paul Dini and many, many more…

Past Anime voice stars have included: Scott McNeil, Kirby Morrow, Laura Bailey, Richard Cox, Brad Swaile, Sam Vincent, Brian Drummond, Chris Sabat, Sean Schemmel, Vic Mignogna, Yuri Lowenthal, Kate Higgins, Maile Flanagan, Crispin Freeman, Veronica Taylor and many others…

Past Japanese guests of honor have included: Ueda and Abe, Yasuhiro Nightow, Yasuhiro Imagawa, Nobuyoshi Habara, Ryo Mizuno, Chiho Saito, Kunihiko Ikuhara, Mika Akitaka, Yumi Touma, Kia Asamiya, Tommy Ohtsuka, Yoshihiro Komada, Mari Iijima, Diasuke Moriyama, Suzumi Atsushi and many others…

Past Sci-Fi celebrities have included: Patrick Stewart, William Shatner, Leonard Nimoy, Carrie Fisher, Brent Spiner, Elijah Wood, Jeri Ryan, James Marsters, Billy Dee Williams, Kevin Sorbo, Adam West, Jonathan Frakes, Malcolm McDowell, Tricia Helfer and many others…

Past Horror celebrities have included: Alice Cooper, Clive Baker, George Romero, Dario Argento, Doug Bradley, Kane Hodder, Elvira, Crispin Glover, Margot Kidder, Linda Blair, Karen Black, Adrienne Barbeau, Malcolm McDowell and many, many, others…

What is Folklore?

American Folklore Society

http://www.afsnet.org/aboutfolklore/aboutFL.cfm

Folklore is the traditional art, literature, knowledge, and practice that is disseminated largely through oral communication and behavioral example. Every group with a sense of its own identity shares, as a central part of that identity, folk traditions–the things that people traditionally believe (planting practices, family traditions, and other elements of worldview), do(dance, make music, sew clothing), know (how to build an irrigation dam, how to nurse an ailment, how to prepare barbecue), make (architecture, art, craft), and say (personal experience stories, riddles, song lyrics). As these examples indicate, in most instances there is no hard-and-fast separation of these categories, whether in everyday life or in folklorists’ work.

The word “folklore” names an enormous and deeply significant dimension of culture. Considering how large and complex this subject is, it is no wonder that folklorists define and describe folklore in so many different ways. Try asking dance historians for a definition of “dance,” for instance, or anthropologists for a definition of “culture.” No one definition will suffice–nor should it.

In part, this is also because particular folklorists emphasize particular parts or characteristics of the world of folklore as a result of their own work, their own interests, or the particular audience they’re trying to reach. And for folklorists, as for the members of any group who share a strong interest, disagreeing with one another is part of the work–and the enjoyment–of the field, and is one of the best ways to learn.
But to begin, below we have cited several folklorists’ definitions and descriptions of folklore, given in the order in which they were written and published. (One of them uses the word “folklife” instead, which American folklorists, following their European colleagues, have used more frequently of late.) None of these definitions answers every question by itself, and certainly none of them is the American Folklore Society’s official definition (we don’t have one), but each offers a good place to start. From time to time we’ll add the views of other folklorists to this page.
One thing you’ll note about these definitions and descriptions is that they challenge the notion of folklore as something that is simply “old,” “old-fashioned,” “exotic,” “rural,” “peasant,” “uneducated,” “untrue,” or “dying out.” Though folklore connects people to their past, it is a central part of life in the present, and is at the heart of all cultures–including our own–throughout the world.

For more information about folklore and about what folklorists do, please see the other sections of this “About Folklore” chapter, as well as the other chapters of this AFSNet web site.

For further information and further questions about folklore or folklorists’ work, we invite you to contact theuniversity folklore program or public folklore organization closest to you, or theAmerican Folklore Society’s office.

Benjamin A. Botkin, 1938.
Folklore is a body of traditional belief, custom, and expression, handed down largely by word of mouth and circulating chiefly outside of commercial and academic means of communication and instruction. Every group bound together by common interests and purposes, whether educated or uneducated, rural or urban, possesses a body of traditions which may be called its folklore. Into these traditions enter many elements, individual, popular, and even “literary,” but all are absorbed and assimilated through repetition and variation into a pattern which has value and continuity for the group as a whole.

American Folklore: Famous American folktales, tall tales … 
Retellings of folktales, myths, legends, tall tales, and ghost stories from each of the 50 states including Paul Bunyan, Jesse James, Pecos Bill, and more.www.americanfolklore.net

American Folklore 
Welcome to American Folklore. This site contains retellings of various types of American folklore and includes folktales, legends, ghost stories and …www.americanfolklore.net/ss.html

American Folklore Society (AFS) 
Association of people who create and communicate knowledge about folklore throughout the world.www.afsnet.org

About Folklore: What is Folklore?
Folklore is the traditional art, literature, knowledge, and practice that is disseminated … The Study of American Folklore: An Introduction, 2nd edition. …www.afsnet.org/aboutfolklore/aboutFL.cfm

Folklore of the United States – Wikipedia, the free encyclopedia 
Founding myths|
American folk…|
Locations and…|
Cultural…

The folklore of the United States, or American folklore, is one of the folk traditions which has evolved on the North American continent since Europeans arrived in the 16th century. While it contains much in the way of Native…en.wikipedia.org/wiki/Folklore_of_the_United_States

Category:American folklore – Wikipedia, the free encyclopedia 
For the traditional folklore of the Native American peoples, see Category:Native American mythology.en.wikipedia.org/wiki/Category:American_folklore

Amazon.com: american folklore
A community about american folklore. Tag and discover new products. Share your images and discuss your questions with american folklore experts.www.amazon.com/tag/american folklore -

New American Ghost Stories and Canadian Legends
Famous Characters. Campfire Stories. Weather Lore. Historical Folklore. Ethnic Folklore … 11/10/2005. New American Ghost Stories and Canadian Legends. Windigo …americanfolklore.blogspot.com

American Folklore — FactMonster.com
all about folklore … Ethan Allen, hero of the American Revolution. Daniel Boone, frontiersman. Paul Bunyan, lumberjack of legend. Calamity Jane, frontier character …www.factmonster.com/spot/amerfolklore1.html

Door County’s American Folklore Theatre | Musical Theatre …
Dedicated to developing productions which will further the knowledge and appreciation of the heritage of the United States.www.folkloretheatre.com News
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The Ascension Center ACE GUIDE OF ETYMOLOGY, ETIOLOGY, ETHNOLOGY, ETHOS, ENTOMOLOGY, ETYMOLOGY. Do not confuse entomology the study of insects with Etymology the study of world history. We will assist many teachers with the topics for those who desire to visit Hawaii, and learn of Lemuria and Atlantis. The New Age of Revealing and Revelation is considered the years of 2012 thru 2012. 2013 begins the ASCENSION AGE. David Wilcock will be speaking at a seminar in Hawaii in February. Michael Salla is also in Hawaii.

The topics discussed are a compilation, formulation of the Ancient Mystery Schools adapted to modern day words, and etymology will be a part of the future changes in the WEB and the MATRIX. Some now refer to the Critical Mass Consciousness and how everyone that is entitled to know of the God Particles in everyone and everything affects the Akashic Field. This is now being revealed to Quantum Scientists and those who are working with the Hadron Collider. There are new findings for Astronomers and new telescopes creating new awareness for us all. It is truly an age of revealing.

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